In The Da Vinci Code Brown treats the figure in the painting as being undoubtedly Mary Magdalene, but what evidence does he have to back that up? Take another look at The Last Supper in the Art of The Da Vinci Code gallery.
In the book Dan Brown writes:
Sophie examined the figure to Jesus’ immediate right … a wave of astonishment rose within her. The individual had flowing red hair, delicate folded hands, and the hint of a bosom. It was, without a doubt… female.
“That’s a woman!” Sophie exclaimed.
Teabing was laughing. “Surprise, surprise. Believe me, it’s no mistake. Leonardo was skilled at painting the difference between the sexes.” (Dan Brown, The Da Vinci Code)
The person sitting on Jesus’ right (the figure to the left of him in the painting) does have some feminine-looking features and may appear feminine but there is more evidence that it is a man, not a woman.
Evidence that the figure is not a woman:
Sophie was pretty quick to identify the person in the painting as a woman, but what do you think? Looking at the painting is that a man or a woman? Do first impressions sometimes need correction? Is the evidence as obvious as Brown would have us believe?
The artwork of Dan Brown’s Da Vinci Code plays an important role in the book and movie.
We have collected the five most important pieces of Leonardo da Vinci’s art from Da Vinci Code into one place here. They are:
If you’re like me, you read the story and wanted to see the artwork too. We hope this is a simple service for you.
Enjoy the art!
Leonardo da Vinci (1495-1497)
(for a larger version of this image click here)
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